The crowd of Venice in the theater Large room he couldn’t take his eyes off her Anya Taylor-Joy during the psychological thriller amazing of Edgar Wright titled Last night in Soho.
And when the film ended, shortly after midnight on Saturday, and the spotlight shone on the cast to receive applause from festival goers, as is tradition, Anya Taylor-Joy he was nowhere to be seen.
the director Edgar Wright i Matt Smith applauding along with the crowd, as confusion gripped the audience. After about a minute, Taylor-Joy, dressed in a pink Dior Haute Couture dress with a matching beret, she opened the doors of the theater balcony and quickly returned to her seat, amid a swarm of loud applause.
There, she and the cast kindly received a five-minute standing ovation for the genre film she electrified. Venice, As evidenced by the response at the premiere and a number of solid reviews for the upcoming release of Universal Pictures.
On the other hand, perhaps the momentary absence of Taylor-Joy it was appropriate, given the character she plays in the film. To say more would be a violation of Wright’s post on Twitter on Friday, asking the Venice public not to reveal any spoilers about Last night in Soho.
All of a sudden it disappeared …
… And then he reappeared
Last Night in Soho, the new Anya Taylor-Joy
Here are some loose details that would probably be nice to share. The film focuses on a young fashion student, Eloise (Thomasin McKenzie), who moves to London to enroll in university. But her new life has not had an easy start, as Eloise visits the 1960s in her dreams and the script deviates, deliciously, towards the territory of the Black Swan.
Judging by the reception in Venice, Last night in Soho has the potential to be as great as the director’s other film, Baby driver, Starring Ansel Elgort, Which raised $ 227 million (approximately $ 304 million) worldwide in 2017.
The film, with its twists and turns, is the kind of avant-garde studio release that could continue to sell tickets beyond the premiere weekend based on strong word of mouth.
After the audience stopped clapping in Venice, Taylor-Joy took off her mask for a second to say: “Thanks!”
Last night in Soho it will then be screened at the Toronto Film Festival, before opening in U.S. cinemas on October 22nd.
