“It was something that stopped me, something I thought, but I will do it the same way again,” he said. “There is a wide benefit in learning more about the personal lives of the people who run this community. If writing about Apple’s CEO is not out of bounds – then who?” )
Apple is firmly controlled by the same small group that has driven an enterprise culture for two decades, and its value to consumers is focused on protecting their privacy, not the world at large.
So now “Scrapper” is back on the market, looking for daylight hours with another manufacturer. Another company, Anonymous Content, bought the option to create a New Yorker article about Cocker, said someone familiar with the deal. (The New Yorker article was written by Jeffrey Dobbin, a frequent target of Cocker.)
Apple TV +, which launched a year ago, has struggled to find its shoes, including its best creative executives, Jamie Ehrlich and Zach van Amberg. Cook and Mr. Q seem to be constantly trying to guess what they want. Or resist. It mostly rejected the dramatic drama that defined other outrageous streaming services. The service is currently enjoying moderate success with a show that is home on broadcast TV, which is the very funny “Dead Lasso”. (The branding is a little clearer: some “Dead Lasso” shots have three Apple devices, and Siri makes a cameo.)
The company is in no hurry, and its strategy with other media programs is to win them over to failure, and if not successful, you will sign up if this thing is already installed on your phone. Real business advantage in media business. That is especially true of Apple Music, the world’s second-largest streaming service; And Apple News, a well-known, unplanned application where President-elect Joe Biden receives his information. Apple’s biggest streaming plot of the plague took the form of World War II drama “Greyhound” – who else? – Tom Hanks.
Apple’s willingness to sacrifice constructive freedom for corporate risk management is still a foreign one. Mr. None of my reports indicate that Bezos is coming to Amazon’s studio (or The Washington Post) to kill negative portrayals of e-commerce or the police, or Mr. The question is, of course, how long, even in those companies, the old law will be suspended – the payer to the piper calls the tune.
But it is important to note that as more and more American viewers return to streaming for an understanding of culture, history and reality, the men who run these companies have made their priorities clear. On Netflix, Mr. Hastings stormed the Saudi monarchy, with Hassan Minhaj’s comedy show “Patriotic Law” shutting down streaming services in the country, after Jamal Kashoki criticized the role of Crown Prince Mohammed bin Salman in the killing of a journalist.
“We are not trying to do the truth,” he said. Hostings said last year. “We’re trying to entertain.”