The Guatemalan star Ricardo Arjona he shared with his fans a recent experience at a busy New York City subway station in the United States, when he went to play like any other.
Sitting in a small chair, guitar in hand, with a prominent beard and black dress from the Fedora hat, glasses, pants, shirt and hood accompanied by a Converse sneaker, would there be any doubt that it was Arjona? Well yes, the artist himself pointed out that they mistaken him for one imitator and no case was made of him.
Arjona performed some songs, but mostly played guitar.
“I would be lying saying I did well singing in the New York Metro. The best thing that happened to me was a Mexican lady who told me that I was the imitator of Arjona, but that I was too tall, That the real Arjona was very chaparrito. #BLACK back on the street again, he wrote the footage of the black and white video with his touch of humor.
The performer of “The Problem” and “Lady” was located at the station on line F, where it is common to see people begging and others expressing the best of their art in exchange for coins.
The video shows the busy passengers ignoring the artist playing the guitar Will he have gotten a few cents?
Comments were not long in coming. “Why don’t these things happen to me”, “And today I decide not to use the train porqueeee”, “This lady lost half her life”, “What a great opportunity they lost …”, “What a joke”, “Impossible not to recognize you I can not believe it. What’s wrong with them,” were some of the comments that add up to more than five thousand and about 103 thousand likes on his Instagram account.
On April 10, the singer-songwriter of “Bridge” and “If the North Were the South”, critical songs about the relationship between the United States and other Latin American countries, broke the sales record in all countries of his long-awaited concert via streaming: “Fet a l’Antiga”.
He is currently preparing new music as part of his new album “Black”, Which will be released in October 2021.
He advanced that the album will feature 14 songs, seven of which were written during the confinement product of the coronavirus pandemic.