“It’s not at all glamorous,” he said, laughing.
Talbot was one of the first in her field to work in set design in the UK and is the founder and director of Intimacy for Stage and Screen (formally IDI-UK).
Talbot began working on coordinating fight scenes and began investigating intimacy coordination in 2015, more than a decade after Tonia Sina, intimacy coordinator, began working in the field of actors. and physical touch on stage and screen.
In a recent interview with CNN, Talbot said that when it came to his job choreographing fights, there were a lot of rules, regulations and protocols.
“And yet, in terms of privacy, there was none [rules and protocols initially]It was really interesting to see the dynamic between the fact that there were all these rules and regulations for violence and yet none for intimacy.
A lot of people assume that sex scenes are natural for actors, he said, but that’s not always the case.
“One of the misconceptions is that because a lot of people have experienced intimacy in their personal lives, you’re supposed to be able to reproduce it for the audience, which are two very different things,” Talbot explained.
Talbot works with actors to determine their limits during sex scenes and there is an “intimate pilot” who explains exactly what an actor is willing to do in a scene.
“With the concept of consent that we work with, of course, if there’s something where someone at some point says,‘ Oh, you know, I don’t want to do that, ’they’ll never do that,” he said. “And it’s also my job to walk past any director or producer and say,‘ Hey, you know, like they’re not comfortable with that. ’I’ve been very lucky to work with great directors and producers, so that it never happened. “
Phoebe Dynevor plays Daphne Bridgerton in the popular Netflix series and the aforementioned graphic sex scene was the first to shoot.
“It simply came to our notice then [an intimacy coordinator] “I haven’t been there in the past,” Dynevor said. “I’ve done sex scenes before that I can’t believe it was – only five or six years ago, but now it wouldn’t be allowed.”
Talbot said he has seen his field take on more importance in the #MeToo movement, with a greater focus on the respect and consent of the ensembles.
“That’s one of the things, the roles our job can do is set expectations so you don’t have that awkward moment of resemblance, someone assumes it’s a 10 and someone assumes it’s an intense one. [of a scene]She said. He is making sure we all agree on the same page. ”